| I'll admit that I used to be jealous of
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| | away--their cultural or group
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| my compadres who were minorities in my
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| | identification.There is enormous
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| BFA Creative Writing program. The rest of
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| | associative power in group
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| us were just crusty white kids with no
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| | identification--that is why we are
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| rhythm.So, I used to be a little jealous
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| | constantly being told to choose, in the
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| of the amount of anger material these
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| | moment, which social group we define
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| minority writers had access to. There is
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| | ourselves as--black, white, gay,
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| a lot of inspiration in one's cultural
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| | christian, conservative, liberal, rich,
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| identity but if that inspiration doesn't
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| | poor, etc. There is a certain amount of
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| allow the artist to create works that
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| | creative inspiration to be derived from
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| break past the illusory bonds of time and
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| | one's social group, but if you examine
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| space to that oneness that unites us all
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| | this inspiration closely you will see
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| then the art won't last and won't have
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| | that the majority of art that comes from
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| quite the impact the artist hopes it
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| | this source is usually so infused with
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| will. In fact, here is a definition of
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| | the anger that comes from the tallying of
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| good art you can copy paste into your
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| | group suffering that it has no
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| brilliant quotes file. This one comes
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| | breakthrough into the transcendent
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| from yours' truly, Uncle Josh:"Art (with
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| | mystery which lies beyond time, space and
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| a capital A) is all about using the
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| | our petty egos (which only last as long
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| contemporary forms of time and space
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| | as we draw breath; the spirit is eternal
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| (people, objects and their relationships)
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| | and therefore incorruptible or haven't
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| to blow apart the phenomenal differences
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| | you got that memo yet?).So, while
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| that keep us each locked into what
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| | minorities may have a lot of inspiration
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| appears to be an inescapable prison (our
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| | to draw from that produces some great
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| own egos which are composed of our
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| | Saturday Night Live and Dave Chappelle
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| experience and emotional and intellectual
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| | skits, most of these are without any true
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| reactions to the present moment, from
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| | breakthrough; they are improper art,
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| which we project the future)."But it is
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| | using the artistic aesthetics put forth
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| in this projection of the future where
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| | by James Joyce in A Portrait of the
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| humanity's greatest certain unalienable
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| | Artist as a Young Man.In-group anger can
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| right exists--the right of the choice
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| | only take an artist as far as they are
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| about how to act this moment. It is
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| | willing to ultimately let it go
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| freedom of choice about how to act in the
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| | completely. Only by willingly letting go
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| moment (in other words, creating their
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| | of our social identify and, ultimately,
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| reality in the moment through sheer will)
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| | our individual identities in the moment,
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| that allowed people overcome atrocities
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| | can we touch the true source of
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| like The Holocaust where every bit of
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| | inspiration which lies inside each of us
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| security involved in associating through
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| | like a platinum encased diamond nugget at
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| one's cultural identity was removed
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| | the centers of our being.In fact, this is
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| completely and the individual was reduced
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| | the exact message that I wrote about in
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| to a scrounging animal. This is the point
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| | my short story Pyrite ( spent a lot of my
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| where survival of the fittest and
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| | late teens and early twenties being angry
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| preservation of self becomes king and the
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| | for other groups of people because my
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| social morays simply drop away like
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| | group identity (middle class white kid in
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| burning paper mache.I have studied The
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| | a sea of other middle class white kids)
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| Holocaust passionately now for sixteen
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| | was the system of oppression and the
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| years. I completed course upon course in
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| | source of much of their anger. But I'm
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| college and have read book upon book
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| | through being angry and I'm through
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| about those twenty years in Germany that
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| | defining myself with abstract concepts;
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| saw Hitler's rise to power and a
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| | I'll leave that to the hacks and
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| decimation of a culture almost as old as
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| | has-beens. I'm going to do my best to
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| humanity's recorded existence.I have long
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| | teach this concept of artistic aesthetics
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| asked why when thinking about the
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| | to other talented artists so that they
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| Holocaust. This is a very hard question
| |
| | too may find that thorny and weeded path
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| because you are essentially asking for a
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| | inside themselves that will take them to
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| sum value of millions of peoples' lives
| |
| | the platinum crusted diamond that waits
|
| in terms of a historical lesson (and what
| |
| | for them within.Joshua Minton is
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| historical lesson could be worth the
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| | President of an Internet publishing and
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| lives of over 150 million who died in a
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| | business consulting corporation, Family
|
| World War which was the direct result of
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| | Bliss Enterprises, Inc. He is also author
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| one man and his dream team of
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| | of two novels, several short stories,
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| terror?).But here is my why from The
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| | poems and articles on art, philosophy,
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| Holocaust--individual freedom emerged
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| | politics, sociology, science, popular
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| intact despite the fact that untold
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| | culture, business, health insurance
|
| masses of individuals were murdered and
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| | administration, internet marketing,
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| had their most sacred identities taken
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| | blogging and personal success.
|
